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This push and pull, at one point, was entirely too much for Sia, who was driven to the brink of suicide, via drug and alcohols, before thankfully getting herself clean and straight. People might shun you for being a phony, but they could kill you if you won’t give them what they want. Perhaps the only greater sin in the pop world than inauthenticity, ironically enough, is refusing to play the game. So what can we say about authenticity, from someone who writes songs for other people? Over the span of her shadowed ghost-writing career, Sia wrote big hit singles for Chistina Aguilera, Madonna, Celine Dion, Carly Rae Jepsen and, perhaps most impressively, Rihanna and Beyoncé, all while cultivating her own increasingly successful solo career. Furler’s talents, at first vocally and, later, penning catchy but poignant and powerful pop songs. This pairing would lead to more and more people borrowing Ms.
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After a stalled first crack at a solo career, in Adelaide, Australia, Sia found notoriety lending her pipes to the downbeat vibes of Zero 7 in the UK, starting in the early 2000s. Sia, for those that don’t know (and that’s likely to be a fair amount of people, outside of liner-note scrutinizing obsessives) is a real songwriter’s songwriter. Which brings us to the wonderfully, delightfully head-screwy of Sia Furler.
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Sia Furler and Sophie Barker as Zero 7 singing “Destiny” – April, 2002 (img credit: ) God forbid, somebody should try and express themselves through, oh, stories, characters, and poetic allusion. While somebody like The Weeknd can be almost applauded for “playing a character”, in a way pioneered and popularized by David Bowie in the ’70s, people seem to expect every single song written by a woman to be 100% autobiographical, that she needs to have lived through something to speak on the matter. Oddly enough, female musicians seem to suffer from this more than anybody. Those that step out of line, or toy with ideas of persona ala Lady Gaga or Lana Del Rey, can bring down a fiery rain of outrage and derision. The message seems to be that a certain amount of authenticity is expected of our pop stars. High profile celebrity antics, broadcast across the world thanks to Social Media, and endless beefs seem to keep these big names permanently trending, and the cycle continues. In a world rife with Celebrity Instagrams, Twitter feeds, Facebook pages, blogs, vlogs, and Tumblrs, fans have come to expect a 24-hour voyeuristic glimpse into a star’s lives. Today’s pop star – no matter what genre they’re working in – exists in a strange, contradictory limbo of expectations.